Prints available, original ***SOLD*** Carrie Goller - Hood Canal Vista - Encaustic & Mixed Media 24x48

HoodCanalVista 24x48 seascape best-web.jpg
Hood Canal Vista - Encaustic & Mixed Media 24x48-wall-web.jpg
Hood Canal Vista - Encaustic & Mixed Media 24x48-edge.jpg
HoodCanalVista 24x48 seascape best-web.jpg
Hood Canal Vista - Encaustic & Mixed Media 24x48-wall-web.jpg
Hood Canal Vista - Encaustic & Mixed Media 24x48-edge.jpg
Sold Out

Prints available, original ***SOLD*** Carrie Goller - Hood Canal Vista - Encaustic & Mixed Media 24x48

$2,700.00

This marine/seascape is painted with encaustic on custom heavy-duty, clear wood-trimmed (1.5” thick profile) box panel, with edges stained dark brown. Inquire about limited-edition giclee prints at info@CarrieGoller.com. Additional images display edges, close-ups and a possible interior environment. See a video of this work in progress: https://www.instagram.com/p/BhzA6heguYh/?taken-by=carriegoller

WHAT IS ENCAUSTIC?

First used by the Greeks over 2000 years ago, encaustic (beeswax medium) is one of the earliest known forms of painting. The amazing Fayum Mummy Portraits painted with encaustic by the Greeks in Egypt, (late 1st century BCE or the early 1st century CE) are still fresh, vibrant, and exhibited today in the world's greatest museums. Artist Jasper Johns is credited with the modern renaissance of encaustic fine art with his work that began in the 1950's.

Painting with encaustic involves melting, applying, then heat fusing layers of beeswax mixed with various mediums. The technique generates a luminous, rich surface that brings visual beauty and depth to the wax. Back from obscurity, modern tools have made the process more practical for encaustic artistry. The protective nature of the beeswax helps maintain freshness and preservation of color, preventing the wax from darkening or turning yellow. Impervious to moisture, these pieces need not be varnished or put under glass.

Carrie Goller interprets this ancient medium into contemporary works. Illuminated in brilliant color or delicate opalescence, her compositions encompass oversized serene seascapes & landscapes, to tiny whimsical country scenes. Goller states, "I do not consider myself an 'encaustic artist', although I have instructed and work in that method. I am an artist that works in a variety of media; encaustic just happens to be one of them. The idea and expression of the work inspires me more than the technique itself."

Add To Cart